In an interview with recently deceased author Paul Auster, he says the following:
When I was 9 or 10, my grandmother gave me a six-volume collection of books by Robert Louis Stevenson, which inspired me to start writing stories that began with scintillating sentences like this one: “In the year of our Lord 1751, I found myself staggering around blindly in a raging snowstorm, trying to make my way back to my ancestral home.”
This encouraged me to browse my bookshelf and search for those scintillating first sentences. As it turns out, many of the books that I loved the most really do pack a punch before the end of their first paragraph. Here’s my personal selection. Unlike Auster’s example, the ones I am sharing do not immediately drop you in the middle of the action, as the number of adventure books on my bookshelf is marginal. However, I do feel they capture a lot about the protagonist and set the tone for the novel.
I would love for you to share yours.
The Brooklyn Follies by Paul Auster:
I was looking for a quiet place to die. Someone recommended Brooklyn, and so the next morning I traveled down there from Westchester to scope out the terrain.
Moon Palace by Paul Auster:
It was the summer that men first walked on the moon. I was very young back then, but I did not believe there would ever be a future.
The Catcher In The Rye by J.D. Salinger
If you really want to hear about it, the first thing you’ll probably want to know is where I was born, what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.
The Fall and Rise of Reginald Perrin by David Nobbs
When Reginald Iolanthe Perrin set out for work on the Thursday morning, he had no intention of calling his mother-in-law a hippopotamus.
“The Waystone Inn lay in silence, and it was a silence of three parts. The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed through the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with conversation and laughter, the clatter and clamor one expects from a drinking house during the dark hours of night. If there had been music…but no, of course there was no music. In fact there were none of these things, and so the silence remained. Inside the Waystone a pair of men huddled at one corner of the bar. They drank with quiet determination, avoiding serious discussions of troubling news. In doing this they added a small, sullen silence to the larger, hollow one. It made an alloy of sorts, a counterpoint. The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone hearth that held the heat of a long dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. And it was in the hands of the man who stood there, polishing a stretch of mahogany that already gleamed in the lamplight.”
Also, the back of the book summary for Name of The Wind deserves mention too, because it’s literally just a quote from a little way into the book, and it’s absolutely incredible;
“I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. My name is Kvothe. You may have heard of me.”