Hey I don’t know how aware you are of this but they just put out a biopic about your life, mostly about you joining the rebellion. It was pretty good, they got Diego Luna to play you and everything. Maybe a little prettier than the real thing, eh? Anyway, while watching I kept waiting for you to directly address the audience and specify that you are the exact same type of communist that I am, but you never did. Why was that cut from the film, do you think?
They’ll never invent trains. You just can’t enshittify a train to the necessary level of profitability for these monsters.
I love AOTC, on paper. A hard-boiled detective story; Star-crossed lovers; A political thriller; All set across the epic backdrop of space in an age where a once great government is coming to its end. What’s not to love?
In practice though if ROTS is a screw-up child, and TPM is like a kid who you thought was going to be president but then ended up as a working mid-tier stand-up comic like just enough to make a living but not enough to “make it”, then AOTC is a kid who grew up to be a serial killer.
Also I’m pretty sure the novelization is by R.A. Salvatore. I’ve not read it but I have read some of his other novels and the man’s not a miracle worker like Stover.
I love the version of AOTC that lives in my head, but every seven years or so when I convince myself to do a rewatch I find I just can’t enjoy it. Some really great ideas, but the execution of them is something else. I really think that with the right script doctor, some judicious editing, and maybe a second director who is just in charge of the actors, it could have been something really great. But what we’re left with is tough to love. But I respect you for doing what I can not.
Clearly it’s too late now, but I think the answer is to just jump into watching A New Hope.
I think the best way to experience Rogue One is to listen to the audiobook. The book papers over the worst parts of the movie and adds some much-needed dimensions to Jyn Erso, and I really like the audiobook narrator they got for it. But then I am biased because of course I saw the movie first. I had already experienced the performances. Do Saw Guerra and Orson Krennic really work on the page if you’ve never seen Forrest Whittaker and Ben Mendelsohn’s performances? I’ll never know. Then again we get some of Galen(Jyn’s father, the scientist)'s POV and I think the character is much stronger in the book than the film, ditto for nearly all the characters but Galen and Jyn especially, so maybe it all balances out.
Also I can’t believe we learn some of Luthen’s backstory. I just assumed he was someone a bit like Mon Mothma, using his real name and the real identity he had during the time of the Republic as an antiquities dealer as a cover for his rebel activities. Much more interesting to learn that he was an NCO with a penchant for artifacts who got fed up one day and made a choice of where to stand, just like the people he recruits. Interesting that it seems no one, not even Kleya, will ever know Luthen’s real name or who he really was before he rebelled.
Incredible that Tony Gilroy came along and just made the best thing Star Wars has put out since 1980. Why would he do that?
My personal enjoyment of the operatic tragedy that is Revenge of the Sith might edge out Andor, slightly, but loving ROTS is what I imagine it must feel like to have a kid who’s a real screw-up. You love them and you see all the best parts of them, but you can’t deny the mistakes they’ve made. But unlike ROTS I don’t needs to qualify my enjoyment of Andor. It’s not like twenty years from now I’m going to say “oh I like Andor but have you read the novelization? It completely realizes what that show was trying to do,” like I do now with both ROTS and Rogue One.
I think next paycheck I’m going to splurge and buy a lot of the old X-wing novel series if I can find one that’s not too high.
Talked to the guy at work who loves WH40K and he said “You know that show made me switch from rooting for the Rebels to rooting for the Empire. Because you see in Andor they don’t have it that bad.”
And I said “haha yeah” because what can you even say to a statement so baldly wrongheaded.
Someday I’ll check to see if I’ve actually got the right mega before clicking post.
Just watched Louis Theroux’s new doc about Israeli settlers. I felt like his life was in danger every time he talked to one of them. They are all armed, deranged lunatics.
I’m listening to the audiobook for Fairy Tale by Stephen King. It’s not bad so far, but it has been funny because it’s from the POV of a 16 year old boy in 2013, but it’s fairly clear it’s written by the then ~75 year old King. The only references to pop culture so far have been Cujo, the original Psycho, and a nonspecific mention that the main character’s favorite music is classic rock/heavy metal.
The Cujo reference was pretty astounding because a character references it offhand as a pop culture totem, a thing everyone knows. It didn’t feel like a sly wink-wink-nod-nod “I wrote that” from King, it was totally natural.
And while it’s not impossible that a 17 year old in 2013 could have seen the 1960 film Psycho, it still definitely feels like a very old man writing about his own youth, or maybe the times when his now-middle-aged sons were young. For the first ten minutes or so I just assumed this story was set in the late '50s like the first half of IT. It wasn’t until the narrator mentioned Amazon that I realized it was supposed to be more current.
I’m sure plenty of 17 year olds in 2013 happened to share Stephen King’s love of baseball, but there’s been no reference to YouTube, or whatever TV was popular among teens that year, or celebrities, or video games. At the very least this guy should have an opinion of Justin Bieber. There’s no way the only things a 17 year old in 2013 likes are Psycho, baseball, and classic rock.
Incredible. This guy lived out the chud dream of taking his favorite toy to a public place and killing leftists and then got away with it and he couldn’t even spin that up into anything. Meanwhile Hailey Welch made a joke that went viral for a couple weeks and spun that into a massive grift and is now rich/going to prison for fraud/most likely to someday target the wrong person’s money and get got by a hitman.
I actually kinda like Rogue One but the main thing I remember about the movie is that when they properly introduce the blind monk character, Chirrut Îmwe, it’s in the middle of a fight and he shows up to knock out stormtroopers with his walking stick. And at first it’s sort of cool, but then it goes on forever, and it starts to feel silly, and you can feel the cracks in the choreography because you start to think “surely one of these guys would just shoot him in the back” and then the character is just there and basically doesn’t do or say anything of significance until his death scene. Sort of the problem of the entire movie in microcosm. Lots of interesting ideas for characters that don’t get much to do or say. Even the best fleshed out character, Jyn, feels contradictory and ultimately thinly characterized.
As I always say, the novelization is much better.